Pentecost celebrates the Holy Spirit, an important aspect of God for LGBTQ people and our allies. The Spirit brings flaming gender fluidity and inspires change in the church.
On Pentecost the church remembers the descent of the Holy Spirit onto the apostles in tongues of flame. Here the Pentecost is envisioned through queer art and literature,
LGBTQ Christians and our allies recognize the work of the Holy Spirit when churches bless same-sex marriages, ordain openly LGBTQ clergy, teach queer theology, and embrace people of all sexual orientations and gender expressions. The Spirit’s unusual mix of male and female provides added incentive.
In church tradition, the Holy Spirit is often presented as the female (and easily ignored) person of the Trinity. She is sometimes called Sophia, the embodiment of Wisdom. But at other times She is referred to as “He.” Sounds rather queer, doesn’t it?
This post also takes a multi-layered approach to Pentecost, sometimes known as WhitSunday. It has two parts: 1) a reflection on the painting “The Holy Spirit Arrives” by Douglas Blanchard, from his series showing Jesus as a contemporary gay man, and 2) an excerpt from the novel “At the Cross” by Kittredge Cherry.
Another LGBTQ-affirming way to celebrate Pentecost is “Glitter+Fire.” Participants are invited to “get blessed, bombed, or anointed by fiery-colored glitter” and “come out as witnesses to the Spirit who Queers Division.” The project was launched in 2017 by the LGBTQ Presbyterian group Parity and the movement based on the book “Queer Virtue” by Elizabeth Edman. They also sponsored “Glitter+Fire” on Ash Wednesday.
In the Bible account of Pentecost (Acts 2), the Holy Spirit arrives as tongues of flame that land on Jesus’ disciples. Inspired by the Spirit, they speak in other tongues and a crowd gathers. People from all over the world are amazed to hear the mighty works of God in their own languages. But some scoff, so Peter explains by quoting the prophecy that begins the following reflection.
“There appeared to them tongues as of fire, distributed and resting on each one of them. And they were all filled with the Holy Spirit.” — Acts 2:3-4 (RSV)
A winged woman literally lights up a crowd in “The Holy Spirit Arrives” from “The Passion of Christ: A Gay Vision,” a series of 24 paintings by Douglas Blanchard. This is a modern version of Pentecost, when the Holy Spirit came like tongues of fire to the disciples of Jesus and inspired them to speak in other languages. Pentecost is a major church holiday celebrated today (May 19, 2013) this year. It is also known as Whitsunday.
In Blanchard’s painting the Holy Spirit floats like an angel above the people at an intersection where darkened city streets meet at odd angles. Carrying flares in both hands, she looks like a flame in her golden gown. The dusky sky and unlit buildings strike a mysterious mood, making miracles possible. Tongues of fire literally flame up from the heads of the people on the streets. Many are arm in arm, forming a circle. Filled with the spirit, they make strange alliances. A soldier, a gangbanger, and a businessman wrap their arms around each other. An older woman and a younger woman embrace. The person in the wheelchair appears to be the same hothead who demanded the death of Christ in 10. Jesus Before the People. Looming behind them is a large building under construction.
The painting gives visual form to a moment of spiritual transcendence. “The Holy Spirit Arrives” is the only painting in Blanchard’s Passion series that does not show Jesus. And yet Jesus IS present within the people. They have been transformed by the Holy Spirit into the body of Christ. Everyone is enflamed — not just the twelve apostles. Christ has multiple manifestations both inside and outside the church in today’s pluralistic society. The painting also hints that Jesus is present in the form of the Holy Spirit. They both have the same face. This, Blanchard says, is deliberate. By making Jesus and the Holy Spirit look alike, he emphasizes that they are one being. Christ, who is both male and female, can easily change genders.
The story of Pentecost is told in Acts 2 of the Bible. The apostles were sitting together indoors early one morning when they heard wind rushing. Tongues of fire landed on each of them. Inspired by the Spirit, they spoke in other tongues and a crowd gathered. Devout people from all over the world were amazed to hear the mighty works of God in their own languages. But some scoffed, so Peter explained by quoting a prophecy from the Book of Joel: “I will pour out my Spirit upon all flesh, and your sons and your daughters shall prophesy, and the young shall see visions, and the old shall dream dreams.” — Acts 2:17 (Inclusive Language Lectionary) Jesus himself predicted that the Holy Spirit would come after him to empower his disciples to do “even greater things” than he did. He referred to the Holy Spirit with the Greek term paraclete, which means advocate, comforter, or teacher. The word rendered as “Spirit” also denotes wind or breath. The early church taught that the arrival of the Holy Spirit reopened paradise, which had been closed by human sin. Christians believe that the Holy Spirit continues to inspire believers in the present, especially in times of trouble or celebration.
Blanchard takes Pentecost out into the streets and humanizes it by presenting the Holy Spirit as a woman. In church texts the Holy Spirit is sometimes described as the female person of the Trinity. She is known as Sophia, the embodiment of Wisdom. But at other times She is referred to as “He,” a rather queer blurring of gender duality. Blanchard’s bold female Holy Spirit is one of the most unusual features of this painting from an art historical perspective. Artists generally depict the Holy Spirit at Pentecost as a descending dove, not as a woman. Blanchard gives her the wings of a dove. The shape of the building behind the Holy Spirit also looks like a dove, mirroring the shape in the background of “21. Jesus Appears to His Friends.” Paintings of Pentecost are often called “The Descent of the Holy Spirit,” but Blanchard removes the top-down implications by titling it “The Holy Spirit Arrives.”
Earlier in the Passion series the crowd strained to touch Christ or follow his lead, but now they have absorbed his teachings and indeed his spirit. The transformation of the crowd on Pentecost becomes more visible when contrasted with the masses who marched with Jesus on Palm Sunday. Blanchard’s second painting and the second-to-last paintings are paired, just like the first and last. In the past the crowd marched into the city carrying signs, but they didn’t look at each other. Now they have no need for placards or slogans. Turning to each other, they find among themselves the freedom and justice that they had sought to gain. They have been tested in ways that were unimaginable on Palm Sunday and forged into true community. They experience God effortlessly, involuntarily. Despite their otherworldly flames, they are more present in the world than they were before. The Palm Sunday setting was sterile and empty except for the triumphal arch, but this crowd gathers on a realistic city street where people actually live.
The Biblical idea of a fire burning on one’s head is scary as well as implausible, but the flames brought by Blanchard’s Holy Spirit look friendly and tame, like birthday candles. Sometimes Pentecost is called the birthday of the church. Like the burning bush of Moses, the holy fire doesn’t consume. The building under construction in the background can be interpreted as the foundation of the Christian church. The artist himself offered an alternative view: “I prefer to think of it as a reference to the story of the Tower of Babel.” The Holy Spirit turns her back on the half-built structure that symbolizes ungodly human arrogance, destined to be toppled by God.
Many of the previous paintings have a tight, sometimes claustrophobic focus. Blanchard’s Pentecost comes like a breath of fresh air that shows the big picture at last. The past comes into perspective and the viewer can see the neighborhood where Jesus lived and died. Blanchard says that he did not intend any particular location. Intersections like this are common in New York City. One of the many places it resembles is the site of the 1911 Triangle Shirtwaist Factory fire where 146 garment workers died, the deadliest industrial disaster in New York history. That destructive fire contrasts with the transformative flames of the Spirit.
Viewers may be surprised to find Pentecost in a series on the Passion of Christ. Artists do not always conclude the Passion narrative with Jesus’ death, resurrection, or even his ascension. Blanchard acknowledges that one of the inspirations for this series is Albrecht Durer’s Albrecht Durer’s Small Passion. He follows the Durer’s example by continuing the Passion for two more panels after the Ascension. Both artists portray Pentecost as the next-to-last image. In Blanchard’s gay Passion, Pentecost is a stopping point near the end of the road from prison to paradise
Progressive Christians recognize the work of the Spirit when churches begin to embrace LGBT members, bless same-sex marriages, ordain openly LGBT clergy, and teach queer theology. In light of Pentecost, it may be significant that the most outrageously effeminate gay men have been disparaged as “flaming.” The bundles of sticks used to burn heretics were called “faggots,” now an insult for gay men.
The Pentecost story is good news for LGBT people because the Holy Spirit comes to ALL people, regardless of sexual orientation or gender identity. The Spirit ignites the desire to be true to oneself, even when that means being fully, flagrantly queer. LGBT people can identify with the Holy Spirit’s combustible mix of male and female. The Holy Spirit, whose own gender is ambiguous, welcomes those who are called bulldykes or fairies, amazons or eunuchs, transfolk or genderqueer, two-spirit or third-gender. Every language has words for queer people, and the story of Jesus has been translated into many languages. Thanks to the multi-lingual marvels of Pentecost, the gospel is now available with a gay accent.
Copyright © Kittredge Cherry. All rights reserved.
Qspirit.net presents the Jesus in Love Blog on LGBTQ spirituality.
Pentecost is the final scene in “Jesus in Love: At the Cross,” a novel about an erotically alive Christ by lesbian Christian author Kittredge Cherry. Speaking in first person, Jesus blends male and female as he does humanity and divinity. The book includes a gay love story between Jesus and his disciple John. Here is an excerpt that imagines the Pentecost from the viewpoint of the risen Christ.
When the Holy Spirit loved me, our contact produced a ripple of energy similar to a heartbeat. She was ringing me like a bell, and the “sound” would roll on forever.
“It is without end, because it is without beginning,” She said. She rang me again, and this time when the edge of her heart crossed mine, the rapture made me lose control and we melted into One.
Our union was so powerful that the people there could actually see and hear Us, like tongues of fire and a whoosh of wind. Our appearance didn’t scare them because they had been expecting Us. Some of my disciples stopped singing long enough to exclaim, “It’s the Holy Spirit!”
We kissed everyone in the room, being careful to cool Our kisses to a comfortable temperature for humans. We licked them with Our flaming tongues. They welcomed Our electric kisses. Each of them inhaled sharply and deeply in preparation for a sigh. We swept into them as breath, passed through each soul’s new doorway and fertilized the sacred chamber within. At the same time, their sparkling souls penetrated my divine heart and swam into a new womblike space that had just unfurled for them. The glorious friction made me feel flushed. Holy Spirit and human spirit were wedded, catalyzing a chain reaction of power bursts. Every soul in the room ignited in such a way that flames appeared to blaze from each person’s body. They looked around at each other’s auras in astonished admiration.
All that happened on one inhalation. When they exhaled, they could taste how much God loved them as We flowed over their tongues. They let their tongues flutter and writhe in ecstatic abandon. Each one released the tension of the wedding consummation in his or her own unique speaking style. Some of it sounded like gibberish to them as they praised God. Others spoke in exalted words.
For John, it came out as a quotation from the prophet Isaiah: “My whole being rejoices in my God, for He has wrapped me in the robe of justice, as a bridegroom decks himself with a garland, and as a bride adorns herself with her jewels.”
The Holy Spirit and I rode the sound waves of their voices, still actively making love. We granted everyone within listening range the same gift that I had received that morning: the ability to hear pure thought.
…Two passersby from far-flung Phrygia were the first to speak up. “Hey, do you hear that?” asked one.
“Somebody’s speaking Phrygian! Let’s go see who it is,” the other replied.
They hurried to the upper room and knocked on the door. My disciples were still jabbering their thanks to God, no longer afraid to let others see and hear them. They propped the door open for the crowd that was gathering as the ecstatic voices carried me to people from every nation who were living in Jerusalem.
To read this article in Italian, go to:
Quando lo Spirito di Pentecoste soffia sulle persone LGBTQ (Gionata.org)
Pentecost comes alive with erotic Christ (excerpt from the novel “At the Cross”)
The queer day of Pentecost (BleakTheology.com)
Pentecost is the Day the Church Came Out! By Robert Coats
Gender of the Holy Spirit at Wikipedia
This post is part of the LGBTQ Calendar series by Kittredge Cherry. The series celebrates religious and spiritual holidays, events in LGBTQ history, holy days, feast days, festivals, anniversaries, liturgical seasons and other occasions of special interest to lesbian, gay, bisexual, transgender and queer people of faith and our allies.
Scripture quotations are from the Inclusive Language Lectionary, copyright © 1985-88 National Council of the Churches of Christ in the United States of America.
Copyright © Kittredge Cherry. All rights reserved.
Qspirit.net presents the Jesus in Love Blog on LGBTQ spirituality.
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